Welcome back to KXSC’s new adds! It's been a few months, but we've come out of hibernation and are thrilled to be back on the album review grind. For this first edition of the semester, we've got a review from each member of the KXSC music department.
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In a world inundated with bummer media, Atsuko Okatsuka preaches the power of silliness, something we all need right now.
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Imagine Pusha T having an existential crisis…that’s the sound of Connor Musarra.
Read MoreGreetings, dear readers! Hope this stretch of pre-holiday hecticness isn’t treating you too roughly, and that you have some relaxing times ahead. It’s hard to state any platitudes about a year’s musical offerings, given what different experiences of listening each of us has. I hope, therefore, that this set of staff members and DJs’ best-of-the-year lists paints a diverse and intricate picture of what various breeds of music fans loved in 2019. Have a lovely winter, and may 2020 bring you more bangers and bops.
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On December 2nd, Kyle Lux played his first headlining show at the intimate Moroccan Lounge in the Arts District. KXSC’s Faiz Haque reviews the upcoming artist’s performance.
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It's with a heavy yet full heart that I bring you all the final newsletter of this semester! This eclectic array runs the gamut from surf punk to soundcloud rap to french disco. Check 'em out below, have a lovely holiday season, and I'll see you in 2020!
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What constitutes a good horror score? It emphasizes scares without distracting from the story and helps steer the emotions of the audience. However, an expertly crafted horror score does all of this and more. It haunts and seduces, transcends the film itself, and becomes its own character.
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Nina Baker-Mason interviews Wallows
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