It’s usually pretty simple to match a movie to its genre by its soundtrack. Dark ominous tones? It’s probably a horror flick. Carefree pop songs? Odds are it’s a romantic comedy. Lots of violin? I can only guess a depressing drama. But when it comes to Wes Anderson’s “romantic comedy-drama” Moonrise Kingdom, it’s difficult to speculate about what kind of music could possibly bridge the gap between multiple genres in such different style of movie.
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