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KSCR - Live from Comic Con 2010

One week of the year, San Diego is host to one of the largest gatherings of its kind, Comic-Con International. Comic-Con is host to a myriad of exhibitors and professionals attracting enthusiasts of comic books, film, television, video games, anime and science fiction.

It’s no surprise Disney once again earned the spotlight this year, kicking things off with a press conference for the much anticipated film Tron: Legacy. Scored by mysterious electronic duo, Daft Punk, it will undoubtedly be the highlight of the coming holiday season.

Outside the conference, Tron fans scoured all over downtown San Diego as part of a Tron Legacy scavenger hunt via Twitter. Participants were provided with instructions and coordinates for each "mission," culminating in a rendezvous at the “End of Line Club” at Flynn’s Arcade.

Named after the arcade from the original film, Flynn’s is a unique installation created exclusively for Comic-Con weekend for fans and other members of the Tron world to converge. Inside, one can find a fully functioning video arcade with classics like Galaga and Asteroid, memorabilia from the original film and an incredible “space-station” environment populated with citizens from the Tron world.

KSCR’s own DJ Ahmar aka VFN had a chance to visit Comic-Con 2010 and enter the world of Tron at Flynn’s arcade. (Fun fact for Daft fans: Inside, we spotted Mr. Michel Gondry, director of the memorable video for “Around the World”)

Click Here to view the photos through Flickr. Photos taken the weekend of July 22-25 during Comic-Con 2010 in San Diego, California.

Big thanks to Walt Disney Pictures, Comic-Con International, KCRW and Myspace.

"The View From Nowhere" is a weekly show airing on KSCR Radio in Los Angeles

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SHAMELESS DJ SELF-PROMOTION: DJ KittKat presents HOTT/WAX
Experienced super-alts know that vinyl is super hip, super pretty to look at and makes you seem super pretentious in front of all yr entry level alt friends. Thus, being the extremely experienced super-alt that I am (HAH), I present my newest (and final) KSCR on-air endeavor to all our loyal listeners: That's right --- for my final semester on-air at KSCR, I've decided to dig deep into my extensive vinyl collection of first-press editions and put them on air for your listening pleasure. So heads up vinyl junkies; tune in every Sunday from 6-8pm this semester to hear full album sides, various 7" records and musical criticism and pop theorizing mumbo-jumbo right here on KSCR. I'll also track what albums I'll play each day on KSCR's Twitter. If you aren't already, make sure to hop on the social networking bandwagon and follow us!
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Bicycle Thievery Near USC and Beyond
The USC campus has never been immune to bicycle thievery, but in the last month this has proved especially apparent. Within my small circle alone, two bicycle thefts and two wheel losses (unfortunately including my own) have occurred in the last month. Here are a few tips for novices and experts for prevention:
  • Get a great U-Lock. This article by Slate may be two years old, but the principle remains the same: not all locks were created equal. Another lesson learned is that security may come at a price. The Kryptonite New York Fahgettaboudit U-lock was the winner and can be found on Ebay for as low as $50. An investment, really, as the true value of a bicycle is not known until it's gone...
  • Even for short-term locking, use a cord lock in addition to the U-lock. Especially if you have quick-release wheels and even if you have a bolted-on wheel, an additional 15 seconds of locking really is worth it.
  • Lock through the frame, wheel, and to a rack, even if this means more walking to find an appropriate place. Pull the cord lock through your frame, front wheel, and to your lock.
Other guides to safe locking: SF Bicycle Coalition, eHow.
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Riding After Midnight: Late Nights and Bikes in LA
Midnight Ridin' (Judas Priest reference in the title there...) 12:30 AM, Saturday night.  I was debating between going straight home after leaving my friend's place and stopping at another friend's for a party...just for a second...maybe one drink... Seriously, just one.  Oh COME on, quit judging me... I was riding down 29th Street on my Bianchi road bike when I decided to call my friend to see if her shindig was still going on, so I stopped at 29th and Menlo.  As the call started to go through, I noticed a mass of 40 to 50 bicycles approaching with little lights twinkling like diamonds.  I knew those bicycles had to be the Midnight Ridazz... * * * * * * * * * * Midnight Ridazz = a party on wheels.  Power in numbers, in two wheels we trust.  Riding with friends and having a beer without ever stopping at a bar (or stopping in general).  Just looking for an escape on a cool weekend night in LA.  Dancing to music from a sound system pulled by a bike trailer--one hand in the air, the other on a brake lever (or maybe you don't have brakes, you fixie hipster--yeah, I went there). And the journey itself is the only destination. Midnight Ridazz started one night in 2004 when a group of eight friends in Echo Park were bored and decided to make a bit of an event out of their usual trip to the bar.  They biked through Downtown and surrounding areas on a tour of local fountains. The group of friends turned into a mass of people in a matter of years, almost exclusively by word of mouth.  With the growth of cycling between 2004 and 2008, especially road and fixed-gear cycles, the group exploded; eight people became (in some cases) eight hundred, and rides couldn't be organized by a few people. Now, anyone can organize their own ride on the Midnight Ridazz website and see who else is organizing theirs.  Typically the rides are 20 to 40 miles at a slow to medium pace, often taking place in Echo Park, Downtown, or Hollywood--many times, all of these places in one night. The explosion of alternative bike culture around the United States has spawned an entire culture around late night rides.  Midnight Ridazz isn't the only late night ride in Los Angeles anymore.  Besides the dozens of smaller rides throughout the week, there are major staples in the diet of late night LA rides. Monday, there's the now-legendary Wolfpack Hustle: unless you're mad into lycra and have Tour de France aspirations, this is probably the fastest ride in the United States.  Tuesday, Bicykillers in the San Fernando Valley--don't ask me the details of the ride, thems Valley folk.  Wednesday, the Koreatown Forge and Gorge: pedal reasonably fast, eat shittons of food--what more in life is there?  Last Friday of every month, Critical Mass: arguably the largest and most famous ride because it takes place all over the world on the same day: young, old, hipsters, business people...all out for a slow-paced joyride throughout their respective metropolises.  The Saturday after the third Friday of each month, C.R.A.N.K. MOB, a self-proclaimed "monthly bike ride dance party masquerade carnival sextravaganza": more party than ride, but it's all the same in the end, really. But of course, there's the classic ride: the Midnight Ridazz Friday night rides. * * * * * Spoke Cards Come to think of it, my first ride was a Midnight Ridazz ride.  The "Mother of All Rides" in mid-March was a glorified scavenger hunt.  Two people dressed in egg costumes hid throughout a moderately-sized section of Hollywood.  Four groups, each with about a hundred to two-hundred riders, went on a hunt for the "eggs."  Once found, the winning groups got spoke cards: collectible momentos as proof of going on a ride, to be proudly displayed in the spokes of your bike wheel. (And no, it's not like putting baseball cards in your spokes when you're a kid because you wanted your bike to sound like a motorcycle.)  From there, the four groups converged and sped through all parts of Hollywood and surrounding areas: The Grove at Third and Fairfax, Hollywood and Highland, and Melrose. As I made my way through the massive pack of riders, the music changed: one person slung a ghetto-blaster over his back, playing the best in electronica at the time (Digitalism!), then another bike pulling a sound system blasting guilty pleasures (Journey? Foreigner...dear God).  I talked to strangers--elated to be on the ride, excited to meet me and anyone else.  There were moments of pure speed.  Heading South on La Brea from Hollywood toward The Grove is a slight downhill.  We picked up speed, gunned passed cars, cheering all along the way. If you asked me why this first experience got me so hooked on bikes, it would be hard to put it in words.  I think part of it is the innate human desire for the thrill of velocity, the lust for a bit of controlled danger.  Good music blasted from trailers throughout the mass of 5-600 people had lots to do with it.  But I think most of it had to do with the beauty of human congregation in pursuit of noble goals.  Simple goals.  Share the speed, the feeling of exclusivity, the collective ownership of the road for at least one cool night.  A few miles.  A few hours in an alternate, irreverent reality. Most cars we encountered that night honked in approval, and drivers cheered out their windows.  You can't help but holler back.  And smile. And maybe that's what it was...I couldn't stop smiling that night as I cruised through those potted-and-pitted Hollywood streets. * * * * * * * * * * The twinkling lights and bikes approached and stopped at the same corner I was on, 29th and Menlo.  What a strange place for a group of riders... ...what a strange group of riders. Some cyclists were in full Viking suits (yes, with horned helmets), some with puppets, others in shiny metallic jumpsuits.  I approached the group and asked someone (who turned out to be Ryan, the ride organizer) about the ride... Me: Hey, what ride is this? Ryan: Midnight Ridazz, Robots ride! Me: Where we going? Ryan: Dunno, but we're gonna party, come with! The Robots ride, it turned out, was an off-shoot of Midnight Ridazz.  Like C.R.A.N.K. MOB, it's more like "party with a bit of riding" than "riding with a bit of party."  Fine by me. We biked through The Row, and not surprisingly, ran into many Greek parties and people.  Most were appreciative.  One was a douchebag.  He took his bike (a beach cruiser, but not that it REALLY matters in the end) and threw it into the street for the express purpose of fucking somebody up.  Unfortunately, somebody did fall as a result of it.  Well, one of the Robots riders didn't take that so well...Fist + Face. We ended up on the USC campus at McCarthy Quad and Leavey Library.  The promenade in front of the library, so often frequented by students looking for a smoke or phone break any other day of the week,  filled with people looking for a beer and dance break.  After everyone had their fill of dance and drink, we rolled out to the LA Coliseum, where just hours before, it was populated by tailgate parties for a USC football game: middle-aged men recalling their college days to the dismay of their wives and embarrassment of their four-year-old children. Once there, we went down to the bowels of the Coliseum's underground parking structure.  We carved through the parking lot ramps and got to the lowest level in the parking structure, where dancing, drinking, and debauchery continued. It seems maybe as though we were in Hell...so far beneath the earth, with so much vice.  But to everyone there, it was Heaven.
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Mr. November.
With the changing of seasons comes another dismal opportunity to create a [brand new] playlist, befitting the not so sudden, and ever so slight drop in temperature that generally occurs as we plunge deeper into the year, and consequently deeper into that pile of leaves, which at USC is that mire of papers that has gathered around one's desk-- the intensity of it depending wholly on your personal level of procrastination, a direct measurement of exactly how many days you chose to dance in an inebriated state to M.G.M.T. (to whom no one has a reason to listen to except for the reason above) instead of doing work. Regardless, Matt Berninger may have been doing likewise in his younger days as he reflects back on the autumn season. The National- "Mr. November"   "I used to be carried in the arms of cheerleaders". With his cavernous deep voice and well carved cheekbones, it is not difficult to see understand why, as this lead singer proves awkward looks to be an unnecessary (although common) component to being frontman of an indie band. Kudos to those of you already familiar with the band, shaking your head to my cliche choice of song for said playlist, which is not so cliche at all with the exception of the title itself.. Those of you familiar with the band, but unaware of the existence of albums other than Boxer, should have their indie status examined. Those fully aware and fond of all albums, especially the Virginia EP, should lose their hipster status altogether... (I mean, half of the new EP wasn't even new). For those who've never heard the band, here's a chance to have a listen and redeem yourself: http://www.myspace.com/thenational Have a listen, but if your immediate reaction is to add them as a friend, then you my friend, are behind the times. Dear reader, what are you doing with an active myspace and without a proper blog account? I guess that's what we're for. So stay tuned and keep reading.
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Larry David and New Poppin' Music
First and foremost, for all you Seinfeld,and Curb Your Enthusiasm fans, or for all of you fans of funny, please take some time out of your day for Larry David. Yes, he may be an ignorant SOB sometimes but it makes for the most uncomfortably wonderful kind of comedy around. Critics will deem people like LD as the dark side of humanity, providing nothing more than negative commentary. I must (un)kindly disagree. David will say everything that people only think, when others are too scared to talk. And it is fucking hilarious. While he may not be for everyone, it's worth a shot to convert as many people as possible. His comedy may have been around for years (Seinfeld--which I think pales in comparison to Curb Your Enthusiasm) but I think everyone should check it out. I mean, who doesn't like watching people feel uncomfortable? Hilarious.  Here's a link to an article he recently wrote about the upcoming election. Check it. Secondly, new music. I am proudly using my first post to provide a shameless plug for my friend's band. Formerly known as Panda, Dizzy Balloon (huh?) has been around since middle school. Over time, their sound has grown and matured into something new. This past year, they recorded a full length album. Check out the myspace. If this music doesn't get your toe a-tappin', I don't know what will. See, I took care of your afternoon entertainment. Enjoy.  
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Save The Chimps!!! (By Listening to Buena Vista Social Club)
As I was doing my daily perusing around the internet I stumbled upon an article that shocked me.  It read

Chimps: Not Human, But Are They People?.

At first I clicked on the article expecting an article that would finally tell me that chimpanzees are just furry dwarves with hands for feet (something I always suspected after watching videos like this one)   But what I found out in the article was even more frightening than a chimp getting a haircut.  According to scientists, via WIRED magazine, the chimp population has now reached critical levels.  In recent years the number of chimps has fallen from 10,000 in West Africa to only a couple thousand.  I was appalled by what I had read and immediately needed to get a hold of the situation.  To help put things into perspective I listened to a band I had just discovered a band called Buena Vista Social Club.  A collection of all the great Cuban artists of the 40's and 50's they joined together in the late 90s with slide guitarist Ry Cooder to form this Cuban Super group.  Their afro-cuban beat helped me put things into perspective and realize that I can't do anything about the chimp population, but I can dance like an idiot in my apartment to "Candela".  So to help you forget your worries I am putting the song up here for your enjoyment.  Dance away.  
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Movie Trailers
Studios heavily rely on movie trailers to attract audiences to their new movie.  But, with so many movies coming out each month, the sinking economy, and rising movie ticket prices, what distinguishes one trailer from the next?   Some studios try to place a song, popular or not, to try and draw the audience into the movie and to help them feel more connected. Sure, there's the standard Harry Potter-Dark Knight-Star Wars trailers that only use composed music performed by orchestras and since the books/previous movies of these movies are already so vastly popular, there's no need to make the trailer stand out in a musical way.  However, more independent movies or movies with a less solid fan base sometimes try to catch viewer's attention through music. The "Watchmen" trailer debuted at comic-con this year, with "The Beginning is the End is the Beginning" by the Smashing Pumpkins playing in the background, and with the song the trailer attracted some much deserved buzz.  The movie itself does not boast a celebrity cast and cannot rely on the fan base of the graphic novels and therefore by creating this dark trailer with dark images and an even darker song, the caught people's attention.  Personally, I had never heard of the novels and I was never a fan of the Smashing Pumpkins until this movie trailer.  Now, I love the song, I love the trailer, and I plan to see the movie.  Maybe I'm just an easy sell. Garden State now has a cult fan base, however, when the movie was in production, there were no paparazzi staked out in between scenes on the set to see Zach Braff and Natalie Portman hanging out.  And so, when it came time for Fox Searchlight to release a trailer, they called on the help of the Postal Service's song "Such Great Heights" for background music.  Maybe the movie became so popular because of the acting and the killer script, but I like to think it had something to do with how well the song went with the trailer theme and made you think, "Huh.  This movie is totally about my life." And then there's this summer's comedic hit, "The Pineapple Express."  The trailer not only brought back M.I.A's song "Paper Planes," but the trailer also hinted at the genius of James Franco, who has never been cast as a strong leading figure in a movie before.  For the greater part of August, "Paper Planes" was played on the radio and I caught it as some people's ringtones too.  Also, the movie was a success (the trailer song was not played in the movie, though that would've have been so cool) and James Franco now has a legit career (maybe). Does the music that's played in a trailer sway your decision to go see in theater?  I would say sometimes it does.
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KSCR Top 30 for 09/29-10/5
Here's your weekly update of the chart KSCR submitted to CMJ for our most played music:
1 COLD WAR KIDS Loyalty To Loyalty Downtown
2 JENNY LEWIS Acid Tongue Warner Bros.
3 STARFUCKER Starfucker Badman
4 FUJIYA AND MIYAGI Lightbulbs Deaf Dumb And Blind
5 OKKERVIL RIVER The Stand Ins Jagjaguwar
6 RA RA RIOT The Rhumb Line Barsuk
7 SPINTO BAND Moonwink Park The Van
8 HARD PLACE Get Your Hopes Up World Famous In San Francisco
9 RATATAT LP3 XL
10 NOAH AND THE WHALE Peaceful, The World Lays Me Down Cherry Tree-Interscope
11 DEERHOOF Offend Maggie Kill Rock Stars
12 LAND OF TALK Some Are Lakes Saddle Creek
13 WOMEN Women Jagjaguwar
14 MOGWAI The Hawk Is Howling Matador
15 TV ON THE RADIO Dear Science Touch And Go-Interscope
16 CONOR OBERST Conor Oberst Merge
17 PINK SPIDERS Sweat It Out Mean Buzz
18 I SET MY FRIENDS ON FIRE You Can't Spell Slaughter Without Laughter Epitaph
19 ETTES Look At Life Again Soon Take Root
20 POLYSICS We Ate The Machine MySpace
21 EMILIANA TORRINI Me And Armini Rough Trade
22 ABE VIGODA Skeleton PostPresent Medium
23 ROY HARGROVE Ear Food Groovin' High-Emarcy
24 HIGH PLACES High Places Thrill Jockey
25 LYKKE LI Youth Novels LL
26 HERMAN DUNE Next Year In Zion Everloving
27 XX TEENS Welcome To Goon Island Mute
28 BRIAN WILSON That Lucky Old Sun Capitol
29 ONE FOR THE TEAM Build It Up Militia Group
30 CRYSTAL ANTLERS Crystal Antlers [EP] Touch And Go
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The Comeback Kid
A lot of artists in history (and a lot of artists these days) have been trying to make bank off of their past popularity. They seem to either reunite with their former bandmates and put out an album/go on tour, or just one of the band memembers scrambles to put out a solo record. Has anyone else noticed this? First let's talk about the most recent "hit" comeback group, New Kids on the Block (who may not have left an impression on many college students today seeing as they're... a little older). I remember my big sister listening to them on her tape player. Anyway, their new album recently came out, debuting at #2 on the Billboard 200, and they're currently touring around the U.S. selling out shows everywhere. But... did they come back with a quality cd? Are they money-mongers? Check out their summer success, cleverly named "Summertime", which is actually quite catchy. You do have to keep in mind how old these guys are. Is it respectable to be making music videos and teen-pop songs like "Summertime" when you're that old?     Next up on the agenda is the Spice Girls. Who could forget when they came to L.A. and rocked everyone's world? I didn't go the concert, but I can tell you that I didn't stop hearing their songs escaping from overly-jacked up iPod headsets, people's mouths, and various computer speakers in my dorm for WEEKS afterward. But, did anyone listen to their "comeback" song? The song did so poorly that they didn't bother releasing an album, but the tour was such a success they added several shows nationally and worldwide. Where's the new material? Cashing in nostologia can be great, but where's the comeback kid? The performer that comes back to show that they still have it, not that they had it, and they can repeat what they did before.     A little further back we also have the uber successful and vocally talented Mariah Carey.  After her Glitter bombed as a movie and as a soundtrack, her record label, Virgin Records, dropped her.  Then she signed on with Island Def Jam and released Charmbracelet.  Remember that one?  Not really, that's because it sorta bombed too.  Then, in 2005, the Emancipation of Mimi came out and all became well for the diva.  She won four Grammys and "We Belong Together" became a staple in pop culture at the time; it spent 14 long weeks at number one.  This past year, she followed up her comeback album with "E=MC²" which by all means was a success as well.  "Touch My Body" flexed it's chart muscle and became Mariah's 18th number one hit.  Should Mariah be labeled as best comeback of all time?  Are these two albums comparable to the hits that made her famous and respected in the first place?  (Emphasis on respected!)  I admit, "We Belong Together," was a pretty smart song to release at the time.  The charts were dominated heavily by R&B type songs. More recently, there's been a lot of buzz about Britney Spears trying to get her stuff together for a major record and tour package.  Though Blackout was slated to (maybe) be her comeback album, it fell short of people's expectations, especially after the VMA's and absolutely no promotion on her side to support the work.  The album was not condemned by critics and fans; it debuted at #2 and Rolling Stone even wrote, "When she's not gearing up for a meltdown, Britney's wielding more melting-ice imagery than An Inconvenient Truth: She's gonna "break the ice," "hit defrost on ya," 'cause she's "cold as fire, baby, hot as ice." Fire and ice — Robert Frost said the world will end in one of those two ways, consumed by passion or frozen by rationalism, and it's clear which option Brit will take. But meanwhile, she's gonna crank the best pop booty jams until a social worker cuts off her supply of hits."  Now, she's really gearing up for it, with a world tour in the works and a new album, "Circus" to come out in December, will the once "Queen of Pop" get it together for long enough to take the world by storm (maybe even take it away from Miley Cyrus?).  Do we hope so? Now tell me, who's your favorite comeback kid?
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Comic Books Killed the Video Star

Comic books are the new music videos. Or the old music videos, come back to the new. They’re something, anyway. Music is having a more direct effect on comic books, to the point where comic books are starting to refer to themselves in music industry terms. For example, the anthology PopGun (which is awesome, by the way, and will appeal to both old lovers of comic books and neophytes alike) bills itself as “the ultimate comics mix-tape.”

PopGun

 

Musicians are finding a lot of success in the comic book world. Some admittedly are doing things of dubious quality (Courtney Love published a short lived series through TokyoPop which was incredibly underwhelming), but on the flipside we’re getting some really cool comics out of the music industry.

 

One of the most awesome things to come out of this are music/comic collaborations, wherein comic book artists and writers go back to musicians songs and adapt them into short comics. Tori Amos, for instance, has long been tangentially involved in the comic book arena (she wrote the intro for Death: The High Cost of Living) through a relationship with Neil Gaiman, the great author of the Sandman series. Amos has just published her own music/comic collaboration. Comic Book Tattoo, a massive book put out by Image Comics, is huge collection of comics based on Amos’s songs. It is so cool. Not everything in it is for everyone, but there’s at least one thing you will like.

 

Comic Book TattoBelle and Sebastian have done a similar thing with Put the Book Back on the Shelf. However, Put the Book Back on the Shelf just seems to be quirky for the sake of quirkiness -- indie just to be indie. I love Belle and Sebastian’s music, and when this book first came out, just the idea of it blew my mind. But since its sequel and the subsequent publication of Comic Book Tattoo, the shiny veneer of novelty has worn off. Hardcore fans will still like Belle and Sebastian's result, but bigger, more diverse anthologies like the aforementioned PopGun and Comic Book Tattoo are probably the way to go.

 

Put The Book Back on the ShelfBut for comic book nerds everywhere, our time in the spotlight is coming. We’re getting hip, my friends. Between awesome bands and Christian Bale, comic books are being drawn out of the basement and into the light. They’re claiming some of that cool that emanates around the music scene. Someday, someday soon, a sweet ass pen collection and a stack of Green Lantern issues will be as hot as a kick ass Fender Stratocaster.

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