SHOW REVIEW: Yves Tumor @ The Wiltern

Yves Tumor

If you were at the Wiltern on the night of Oct 12th, you witnessed something very special.

Yves Tumor is widely spoken of for their enthralling live shows. Not only had I heard this account first-hand from friends, but in response to “do you listen to Yves Tumor” I’ve frequently received the response “their last album was my favorite.” So, they’ve been one of my top artists to see live, with my excitement only growing as they’ve progressed. The second this date was announced I knew what must be done.

Upon arriving at the Wiltern on Thursday night I knew immediately what I was getting into. This crowd went above and beyond; a litany of extravagant coats, studs, harnesses, and other punk, alt-girlie fashion staples punctuating the audience was enough to not only clue into the vibe of the upcoming show, but the fans’ dedication to their dark lord. Praise for the last LP, beaming curiosity about the upcoming live experience, and further excitement rang across the venue – the fans were hungry for a show.

And a show they delivered.

First, opener Dagger Polyester shocked concert-goers into initiation with an abrasive wall of glam-punk sound and dominating, freakish stage-presence – Tumor’s choice of opener was no mystery, embracing the same uncompromising, undeniable queer ethos as the headliner. If Polyester stunned any unsuspecting members in attendance, the second opener The Dare brought them back to reality and got them moving with a thumping, electrifying set of danceable bangers. Almost like LCD Soundsystem’s more abrasive alter-ego (tastefully), tracks like “Girls” and “Good Time” had the crowd jumping and singing lyrics back as Dare banged on cymbals overhead and shot around stage.

Finally, as the time approached for the star of the hour to make their appearance. Multiple rounds of applause in anticipation for Yves, finally brought out Chris Tumor, introducing himself as Yves' cousin, calling us the most beautiful crowd of people he’d seen (thanks Chris, love <3) and getting the crowd roaring for the show.

Just then, shrieking into action with the driving bass line and drums of “God is A Circle,” Yves' and their band emerged from the darkness. Yves themself did not disappoint and appeared from backstage pantsless, in a biker jacket, neckpiece, and massive visor-like eyewear. Strobing lights, their stunning band and generally killer stage-production made for a wholly immersive show, as Tumor captivated the audience for the entire performance 

Despite generally being a solo act, Tumor’s 5-piece live band elevated tracks like “Licking an Orchid” and 2018’s “Safe in the Hands of Love,” embracing Tumor’s more recently embraced glam-rock & pop influences. Further songs such as “Lovely Sewer” featured gorgeous live vocals by bassist Gina Rimarez. The show-stopping finale and encore, “Kerosene,” had fans shaking down the venue screaming the chorus, “I NEED KEROSENE!” in preparation. The roaring enthusiasm cultivated not only in an amazing performance from Tumor, but sick lead-guitar shredding from guitarist Chris Greatti. Other’s personal highlights included crowd favorite “Superstars,” “Gospel for a New Century,” and “Secrecy is Incredibly Important to the Both of Them.” 

Amazing stage-production, stunning performances from the whole band, and the fans’ display of overwhelming passion and dedication to the artistry and music of Yves Tumor made for an ethereal show experience. This was the type of show where you felt an impenetrable bond with your fellow concert-goer as you screamed along every lyric together and unstoppable energy constantly electrified the entire room. I left invigorated with an even greater appreciation for Yves Tumor. If you get the chance, Tumor is a must-see.

- DJ MatthewRatthew AKA Matthew Leahy